by Jinny Webber | Mar 17, 2020 | Actors in plague time, Boy actors on Shakespeare's stage, Christopher Marlowe, Gender fluidity |
Boy Actor At supper, Jack proposed a toast to my birthday. He pulled me into a jig, with Kemp making three. Shakespeare and Tom Nashe pounded on the table and Kit drank my health. They started reading Sir Philip Sidney’s poems as Kemp tried to drown them out singing...
by Jinny Webber | Mar 16, 2020 | Actors in plague time, Christopher Marlowe, Gender fluidity, Sex and Gender in Shakespeare's England |
Christopher Marlowe Spread thy close curtain, love-performing night Romeo and Juliet Chapter XIX Midsummer 1592 We rolled into Audley Inn late on the long June evening before my birthday. Bird songs rose amidst the fragrance of cut grass and summer roses on air so...
by Jinny Webber | Mar 16, 2020 | Actors in plague time, Christopher Marlowe, Gender fluidity |
Fetid grey hung over the city on the June morning of our departure. Our farewells to Pope and the household fit the haste and pain of the times: quick embraces and prayers for safe return. Satchels on our shoulders and Jack’s precious lute in hand, we hurried to meet...
by Jinny Webber | Mar 15, 2020 | Actors in plague time, Christopher Marlowe, Gender fluidity |
Adapted from The Secret Player, ©Jinny Webber, Revised edition From Chapter XVIII, Spring 1592 Adieu, farewell, earth’s bliss; This world uncertain is. “In Plague Time,” Thomas Nashe Two men in black hats appeared at the entrance to The Theatre tiring...
by Jinny Webber | Mar 14, 2020 | Christopher Marlowe, Gender fluidity |
The article by Sarah Ruhl in the New York Times, “Broadway Is Closed. Write Poems Instead: When theaters shuttered, Shakespeare turned to poetry. ” (NYT, March 13, 2020) connects the current closure of Broadway theatres to the closures in...
